Part 2 - What Bill Medley Told Me

Don't miss the second part of my 'What Bill Medley Told Me' about his thrashed voice.

Read my latest Voicegram Newsletter with Bill's story.

What To Do If You Think You Have Nodes

If you think you may have vocal nodules, the first thing to do is go to an ENT to really find out what's going on. Secondly, give your voice a chance to heal with VOCAL REST. That means no talking, either! Third, get a good vocal instructor who teaches Bel Canto singing, and learn to sing and speak correctly so that you won't continue to damage your voice. Treat your voice well and you'll be rewarded with a beautiful sound for life!

Who Wants A Youthful Voice for Life?

The secret to keeping a vital singing and speaking voice for life is simply.....exercising you voice daily, just like you would any other part of the body! Use it or lose it! Please comment at my new Facebook page All About Voice!

The Secret to the 'IT' Factor!

Have you ever gone to a concert where the singer just totally mesmerized you, even though they may not have been the best singer in the world? The performer just had the 'IT' factor? One way to develop the 'IT' factor not only when you're onstage, but in your everyday dealings with people day to day, is this: THINK OF YOUR BREATH AS PURE ENERGY! When you are preparing for a concert; a meeting; a difficult conversation, visualize the air you are breathing in as PURE ENERGY! Fill yourself up with that energy. THEN: RELEASE THAT GOLDEN ENERGY OUT TO THE WORLD! Energy comes in, energy goes out. Your audience will feel that energy, it will create a connection with the person or people you're speaking to. BREATH IS ENERGY - USE IT! I have a new Facebook page... All About Voice - please join the conversation there, and give me your comments on how this 'breathing in the energy' works for you!

Here's a wonderful exercise in mindfulness, that also has intrinsic benefits for your speaking voice! I welcome your comments once you've tried this exercise for a day!

New Online Interactive Singing Classes!

Technology is so cool these days!  No matter where you live -- you can do classes online, in real time, with real people!  My new 7 Easy Steps for Singing Like A Pro! classes start soon!  Check it out!Beth Lawrence's Online Singing Classes!

Building a Better, Younger Voice



Vocal exercises can create a younger
sounding voice 

Some people want to not only look younger, but sound younger, too. 

An increasing number of older adults are putting more pep into their speaking with voice therapy.  "Research has shown they can sound younger than their chronological age" through proper techniques says Nandhu Radhakrishnan, a University of Missouri specialist in voice science and therapy. 

Vocal exercises improve loudness and strengthen the tone and endurance of muscles that have lost elasticity, says Ellen Markus, a speech pathologist at the Universty of North Carolina Voice Center.

Breathing and vocal exercises twice a day along with relaxation techniques greatly improve raspy voices.

Adapted from AARP Bulletin, July-August 2012, Vol. 53, No. 6

Your Voice Is Your Calling Card!

Unless you're talking to yourself - you're a PUBLIC SPEAKER!

I coach speakers, as well as singers, and increasingly, folks are realizing the importance of developing a rich and compelling speaking voice - a voice that reflects your power and self-confidence.

I also coach clients over the phone and online, and can 'hear' exactly what their challenge is, as well as know how to help them.  If you're interested in developing your voice, which is your best calling card, please contact me.

Cheers,  Beth Lawrence, Viva La Voice

BY JENNIFER SARANOW, Wall Street Journal

       VINYA LYNCH HATES the sound of her voice. She thinks it is timid and sing-songy. She blames it for why she is frequently cut off giving presentations at work, and for why it takes her as many as 10 tries to record a voice-mail message.

       "When I listen to myself, it doesn’t sound intelligent," says Ms. Lynch, a 35- year-old handbag designer.

       So last summer, simply to change how she sounds, Ms. Lynch began seeing a speech pathologist. Total cost: $2,250 for 10-sessions plus evaluation, text and tapes. "I want my voice to be charismatic and confident all at the same time," she says.

       Speech therapy used to be for stutterers, lispers and other people with medically diagnosed language problems. But in a culture increasingly devoted to personal trainers, self-help books and cosmetic surgery, a new outlet for self-betterment is emerging: the personal voice trainer.

       Eager to boost their prospects professionally or socially (or both), a growing number of people are hiring speech pathologists to "tone" and improve normal voices. It’s a phenomenon driven partly by the tight job market, where every little advantage counts, as well as the pervasiveness of cellphones and voice mail, which can amplify the eternal tendency to cringe at the sound of ones own words.

       "This is not speech therapy, this is beautification of the voice," says Ita Olsen, a speech pathologist in New York whose firm Oslic Consultants LLC sees about 275 individuals a week for "cosmetic" voice-changing, compared with about one per week three years ago.

       Technological advances are making cosmetic voice changes easier. A number of speech-therapy practices are using digital video endoscopy, a technology that allows speech pathologists to see the vocal folds as they are vibrating - and to home in on what the talker is doing wrong. (It involves sticking a small fiber-optic tube with a camera at the end up the patient’s nose.) Others use a computerized system that quantifies speech. Patients speak into a microphone and a line appears on a computer screen that reflects their pitch, loudness and vocal quality. The number provides a quantitative baseline voice from which doctors can work.

       But speech therapists are also finding low-tech ways to capitalize on the growing market. Sandra McKnight, a voice coach in Santa Fe, N.M., offers voice training over the phone (a typical treatment program is four 75-minute phone sessions for $640). She says she doesn’t have to see patients in person to know what their voice problems are; she just needs to hear them. Susan Miller, a Washington, D.C., speech pathologist, and Susan Berkley, a voice expert in Englewood Cliffs, N.J., recently released a compact disc package, available through the Internet (www.voicetrainer.com), called "Vocal Vitality: A safe, easy warm up program to energize and enhance your speaking voice" with morning vocal exercises for unsatisfied talkers. They’ve sold several hundred so far.

       Dr. Miller says the growing demand for voice improvement became apparent to her in the fall of 2002 when she gave a six-week course at the Smithsonian called "Cultivating the Medium of the Message: Your Voice." She expected about 30 participants at the first class. More than 150 showed up. "I was shocked," says Dr. Miller, who estimates about 35% of her 120-patient-a-week practice now is devoted to training normal voices, up from 5% three years ago.

       People have been wincing when they hear themselves speak since the dawn of the recording. Common complaints run the familiar litany of too high-pitched, too monotone, too nasal, too much like the opposite sex. For women, they often include: too shrill, too "valley girl," or too faint. For men, familiar grievances are too gravely or too weak.

       Voice experts say that many voice "problems" are caused by unbalanced talking, or using too much of one part of the voice. (The components of the voice include breathing, vocal chord vibration and the sound of the voice as it resonates out of the mouth, nose and throat.) For example, hypernasality results from letting sound resonate too much through the nose. A gravely or harsh tone comes from excessive tension in the throat area.

       The voice "is very similar conceptually to a person’s knee," says Joseph Stemple, a speech pathologist at the Blame Block Institute for Vocal Analysis and Rehabilitation in Dayton, Ohio, and author of a well-known voice pathology textbook. "It can become strained and weakened and unbalanced and you can do direct exercise to enhance it."

       The key behind most voice exercise programs is teaching patients to find their "true" sound when emphasis isn’t on one part of the voice over others. Patients learn to breathe from their stomach and let the voice carry more fully out of their mouth. They learn to feel whether they are exerting their mouth, nose or throat too much when talking. They use relaxing exercises to relieve tension that may be putting emphasis too much on one area.

       Patients say that the end result is a better voice and more- effortless talking -- but getting there takes a lot of work. Learning to talk with a "true" voice can mean anything from figuring out how to hold your tongue while speaking to breathing differently -- movements that feel weird and unnatural at first. It takes extensive practice to turn such changes into habit.

       "The results are largely dependent on the amount of energy that they are willing to put into their practice," says Kate DeVore, a speech pathologist from Chicago, who estimates that personal training of normal voices now accounts for about half of her practice.

       It requires not only practice, but a substantial amount of money, usually between $100 and $200 per session. Group sessions, which Dr. Olsen in New York has dubbed "voice spas," cost less.

       Ms. Lynch says the gain has been worth the pain. At her third session with Dr. Olsen this past summer, Ms. Lynch relaxed her head from side to side, took a few breaths and practiced saying phrases she utters daily such as "40th and Broadway" and "two tickets please" using her new "true" voice.

       A few weeks ago, she finished the last of her 10 sessions. Her new sound is deeper, slower and stronger than her regular voice, thanks to relaxing her throat muscles more to let air out and figuring out how to use her tongue differently.

       "I learned a lot in theory and now, it’s just a matter of applying it," she says. For now, she’s mostly practicing around strangers -- when she orders coffee, for instance, or gets in a taxi. But one day at work, she decided to use her new voice -- or as she prefers to call it, her "natural voice" -- all day. Everyone asked, " ‘Why are you speaking that way?' "

       -- The Wall Street Journal Online

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Do Senior Singers Live Longer?

This from Bryant Stamford, professor and chairman of the department of kinesiology and integrative physiology at Hanover College:

"Research tells us, there was a study of senior singers, average age 80 years, in which they were tracked over a prolonged period and their data were compared with folks the same age in the general population. The researchers found that the elderly singers experienced less depression, took far fewer than the typical four prescription medications and a like number of over-the-counter meds, and they were more socially active.

Does this mean the older singers will live longer? Hard to say, but it’s not a far reach to suggest the answer is yes.

We know, for example, that the mind-body connection is very important, and that health and longevity of the body can be influenced by mental state (depression, etc.). Medications and their side effects greatly impact the quality of life, and if there is poor quality of life, the zest for living goes out the window. And those with a strong social network are likely to be happier, better adjusted in old age, and more accepting of change, and therefore likely to live longer and healthier lives."

So I say, again - get out there and sing, no matter what your age!  You will feel better, and just possibly live a longer, healthier life!  Want help with your singing?  My new book From Shower To Stage...7 Easy Steps for Singing Like A Pro!  can help!

About Cymatics from Richard Learmont

This from sound healer Richard Learmont about Cymatics:

"Cymatics was re-discovered and coined it’s name in the 1960’s by the Swiss doctor Hans Jenny. With his invention of the tonoscope, he was able to see how sound structured matter. With the use of audible frequencies he was able to witness the animation of various powders, liquids and pastes into sacred geometry patterns, life-like forms and figures found in art and architecture of the world’s sacred traditions.
Hans Jenny’s research also discovered how uttered vowels of ancient languages of Sanskrit and Hebrew arranged the various powders to emulate the written symbols for those vowels, while on the other hand did not generate the same result for our modern languages.
Cymatics shows how vibrations interact to create the world we experience ‘out there’ and it reveals principles that are fundamental natural processes. Understanding these principles can help us to ‘cleanse the lens’ through which we perceive our world, thereby clarifying our outlook on life. Once you’ve objectively observed the rhythmic interplay of chaos and re-integration in simple powder, you may view your own tumultuous circumstances a bit more objectively (and with far less apprehension!) as a purposefully evolving process leading toward greater personal coherency and equanimity."

David Burger, SL Tribune, Blogs about my Book!

Thank you to David Burger, the music critic for the Salt Lake Tribune. He blogged about my book "From Shower To Stage....7 Easy Steps for Singing Like A Pro!" today, and talked a bit about how I help shy singers 'come out of the closet'!!

David's Entertainment Blog

Singers - Pitch Problems Solved!

If you're a singer who has been told you have 'pitch problems', my Lawrence Vocal System offers a simple solution! Take a look at my newest article on Muse's Muse in my Viva La Voice column on how to get on pitch and start singing with confidence!

Step Five for a Youthful Voice!

5.  Vocal Rest
Just as it's important to exercise, it's also important to rest.  We use our voices constantly, and those who use their voices in a professional setting are even more prone to overuse and tire the voice.  Be kind to your voice - don't scream, try to talk over background noise, or speak to large groups without a microphone.  When you don't have to talk, don't. Once you become mindful of your voice, you'll begin to honor silence as a great way to care for your voice.



Remember to treat your voice with respect and care and you'll have a rich, strong, healthy and youthful sounding voice for your entire life!

copyright 2010, Beth Lawrence

Step Three for a Youthful Voice!

3.  Pitch
Speaking and singing are natural and should reflect your authentic persona.  What I mean by this is that you should be using your natural voice, not a voice that has been habitually altered through years of manipulation.  So many times clients will come to me with very soft, airy voices, or voices that sound thin and squeaky.  Many women have a hard time letting go of their 'little girl' voices and must be taught to release their naturally pitched voice.  Your natural voice is always in a comfortable range, free of pinching and straining.  Speaking with a relaxed throat and natural pitch gives the voice a warm, silky, youthful tone.

copyright 2010, Beth Lawrence

Step Two for a Youthful Voice!

2.  Conscious Breathing
The basis for proper speaking and singing is conscious breathing.  This means becoming aware of relaxing the belly, breathing low and slow, allowing the diaphragm to lower while the lungs fill with air.  Think of filling up like a balloon:  on the inhale the abdominal area 'fills' up; on the exhale, the abdominal area 'deflates' or goes slightly flat.  Most people breath very high in the chest and keep their bellies tight, which doesn't allow you to take in a full, deep breath.  You can also imagine your ribs as a bellows expanding as you inhale and going back to the normal position as you exhale.  Breathing is natural and is essential for supporting the voice so that the throat is not forcing the volume.  A youthful voice is a well-supported voice!

copyright 2010, Beth Lawrence

Spring Is The Time To Sing!

Spring Is The Time To Sing!

©2006 Beth Lawrence

Robins are singing, the daffodils have emerged; Spring is a time for new beginnings! When people hear me in concert, or find out that I'm a voice coach, I'm always amazed at how many of them tell me "I've always wanted to sing." They usually say it in a rather wistful way, as though it's a dream that's totally out of reach for them. I always respond, "Then why don't you?", to which invariably, they say 'oh, no! I can't sing!'

Why do we so stubbornly defend our false beliefs and limitations? If you'd love to sing; if you harbor that secret desire to belt out a tune or be the next American Idol; or just want the courage to sing 'Happy Birthday' without embarrassment, I'm here to tell you that YOU CAN! And there's no better time than right now, to begin.

Everyone can sing! You were born singing! Along the way, though, someone told you that you couldn't, and that became your belief system. Spring is the time when all things come back to life. Even dusty, forgotten dreams can be born again. So do something wonderful for yourself - take a few voice lessons! You'll see it's not as scary as you thought, and it will give you worlds of self-confidence. I offer both group and private voice mentoring and I find that most people are so anxious about singing in front of me initially that we spend lots of time working on that inner critic that demands vocal perfection. My goal is to help my clients sing from their hearts, not their heads! Singing is all about raising your voice in joy; not worrying about how good you sound, but how good you FEEL when you're sharing your music.

If you yearn to sing, then DO IT! You will feel great and you'll feel proud of yourself for taking a risk and emerging a stronger, more confident songster! I love to help people find their voices, and now is a great time to take that step of self-discovery and self-love. Sing because you've always wanted to. What better reason is there? And if you're a bit shy, then take a few lessons (study with someone whose method is based in Bel Canto) so that you gain skills that will give you confidence in your voice.

Spring is the time to start something new; something that's going to feed your soul and bring a bounce to your step! Singing has incredible physical and emotional benefits, and it's a great way to meet new friends! My unclejust started singing at age 83, and it has changed his life! He sings every Thursday night in Los Olivos, California, and just loves it! And his audience loves it, too! How fantastic that he took the initiative to take singing lessons at the local community college, then had the guts to get up and put himself on the line. And you know what??? This is now his PASSION! He lives and breathes it. I am so proud of him, and wish everyone would have the courage to open up and sing! My uncle Dick is 83 and singing every week in public; what's your excuse?!

If there’s something you want to do in life, now is the moment. The Universe wants to roll out the red carpet and let your heart's desire come out to play! Open up and let your lifesong break free. Spring is the time to sing!!

Beth’s ‘Joyful Singing!’ class starts April 12th in Salt Lake City, UT. For more information: http://vivalavoice.com

©2006 Beth Lawrence is a Veteran Diva, singer/songwriter/producer and the Owner of Viva La Voice, a conscious music company dedicated to inspiring confidence in the everyday artist, re-entry singer, and creative bon-vivant who wants to live life fully and fearlessly.

She is the author of “The Seven Principles for Vocal Mastery' , which teaches a holistic approach to ‘giving voice to your inner Hero’, honoring the connection of body, mind and spirit. For over 25 years, she has been helping people all over the Globe rediscover the joy of singing, performing, and living their Big Dream. Beth loves developing the brilliance in others!

Beth has won awards from Billboard, Parents, and L.A. Jazz Scene Magazine; the American Song Festival; and was awarded an ‘Outstanding Women In Business’ Grant from Zions Bank. To learn more: http://www.VivaLaVoice.com

Don't Rush Your Bow !

You've worked hard to prepare for your gig.  You've studied your lyrics; understand the emotions behind the words; and have developed your voice so that you can tell your story and not be distracted by vocal challenges.

You take the stage and share your music authentically, making a sincere connection with your audience.  They feel your music and when your set is done, you get an ovation!  Here's my advice - don't rush your bow!  Enjoy your moment, you earned it!

Many times when I work with insecure or inexperienced singers they always have a problem with this.  The moment they're done with their song they practically run offstage!  Not taking a deserved bow robs your audience of the satisfaction of publicly thanking you.  It also shows your audience that you feel unworthy of their praise.

Being confident before, during and after your performance will demonstrate that you have arrived as a powerful, masterful singer who isn't afraid to take the stage with no apologies.

Raise Your Voices Together!

Tonight in the Joyful Singing class I'm teaching in Salt Lake City we had tons of fun!  We started out doing our breathing exercises, vocalizing, then instead of sitting apart we all 'clumped up together to sing.

It's amazing how the energy in the room changed!  All of a sudden we were a happy, supported group, not a bunch of separate entities singing alone.  On one song I had the group split in two and sing facing each other.  It was great practice for making eye contact (a fear for many performers) and further solidified the warm, fuzzy feeling in the room!

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Singers - Tight, Tired Throat?!

I recently got a question from a reader on my ASKBETHLAWRENCE.COM site who wrote:

 "I am contacting you just with a concern.  I am a musical theatre major, which requires me to sing on a regular basis.  I am planning on seeing an ENT within the next week or so, but I was just wondering what all could cause fatigue in my upper registers.  It is mainly when trying to sing soft that I experience this.  Is this most likely only related to technique?  Or could it be more serious than that?"

This was my response which I believe could be helpful to a lot of singers who have the same issue:

Sorry you're having challenges with your voice.  Without hearing your voice, or seeing you in person, I can only give you an answer based on my experience in what you're describing.  It could be any number of things, but it doesn't sound to me like you're having these symptoms based on anything more than poor technique, but it's good you're going to the ENT to check it out.   I had lots of vocal problems early in my career until I found a Maestro who saved my voice.  I hope you can do the same!  

If you're planning on having a career as a singer, then you owe it to yourself to sing effortlessly and easily, as your voice IS your career!

By fatigue, a singer could mean just a 'feeling' in the throat (tightness?), or actual hoarseness which would indicate damage.  Number one, are you supporting your tone?  Your breath support is critical and you need to make sure that you are breathing fully; expanding the ribs and belly; softening the belly but not 'pushing out' or having any tension in your belly, diaphragm or throat.

Two, if your throat is feeling tight and tired when you sing, your tongue may be the culprit!  If you're not supporting, then your body compensates by tensing the base of the tongue in an effort to 'hold' the tone, which is really uncomfortable.  This also causes the larynx to jam up, which again, causes a tight throat.

If your throat is tight and the larynx raised you're causing constriction which not only feels bad, but forces you to push the voice to get more sound out.

All in all, a cascade of events  is set in motion that feed upon each other creating a pinched sound, excessive force on the vocal mechanism, mental distraction, a tight, tired throat, and ultimately can result in vocal nodules.

If you haven't already done so, go to my website and read 'A Singer's Story' and some of my philosophy on voice.  

Do you have any questions about voice?  Let me know!

Salt Lake City Music Workshops

Just scheduled two workshops in Salt Lake. 'How To Sell A Song!', Feb. 20th, and 'Conquer Stage Fear Forever!' March 6th. So many of my clients are paralyzed with what I call 'Singer's Anxiety Syndrome', so I want to help them feel comfortable on stage. It's time to get rid of that limitation!