Friday, February 26, 2010
Thursday, February 25, 2010
Stand Up To Fear!
My February Viva La Voicegram is available!
From my February's Voicegram: "It takes some work to stand up to fear and put it behind you. But isn't an open, joyful, fearless life worth a little effort? Believe me, it takes more effort to keep the desires of your heart subdued than it does pushing the fear out of the way so that your happiness breaks through."
From my February's Voicegram: "It takes some work to stand up to fear and put it behind you. But isn't an open, joyful, fearless life worth a little effort? Believe me, it takes more effort to keep the desires of your heart subdued than it does pushing the fear out of the way so that your happiness breaks through."
Monday, February 22, 2010
What Makes a Great Performance?
What makes a great performance? Making your audience FEEL. Technical perfection isn't nearly as important as emotional authenticity.
Tuesday, February 16, 2010
Stage Fear and the Ideal Self
If you suffer from 'stage fear', envision yourself singing or presenting from your confident, capable 'ideal self', rather than the insecure, frightened 'little self' that fears rejection! You ARE capable and confident!!
Wednesday, February 10, 2010
Singers Are Storytellers First and Foremost!
First and foremost, singers are STORYTELLERS! A character is telling his/her story through you. As a Storyteller, you determine what your audience will feel. You must know what the character's emotional state is, then let your emotion determine your voice quality, your face and body actions. If you're truly immersed in your character and story, emotions, movement and expressions will be authentic and natural....you won't even be thinking about it, you will BE IT.
You're invited to my workshop on February 20, 2010 "HOW TO SELL A SONG...making the emotional connection with your audience"
You're invited to my workshop on February 20, 2010 "HOW TO SELL A SONG...making the emotional connection with your audience"
Monday, February 08, 2010
Singers - Tight, Tired Throat?!
I recently got a question from a reader on my ASKBETHLAWRENCE.COM site who wrote:
"I am contacting you just with a concern. I am a musical theatre major, which requires me to sing on a regular basis. I am planning on seeing an ENT within the next week or so, but I was just wondering what all could cause fatigue in my upper registers. It is mainly when trying to sing soft that I experience this. Is this most likely only related to technique? Or could it be more serious than that?"
This was my response which I believe could be helpful to a lot of singers who have the same issue:
Sorry you're having challenges with your voice. Without hearing your voice, or seeing you in person, I can only give you an answer based on my experience in what you're describing. It could be any number of things, but it doesn't sound to me like you're having these symptoms based on anything more than poor technique, but it's good you're going to the ENT to check it out. I had lots of vocal problems early in my career until I found a Maestro who saved my voice. I hope you can do the same!
If you're planning on having a career as a singer, then you owe it to yourself to sing effortlessly and easily, as your voice IS your career!
By fatigue, a singer could mean just a 'feeling' in the throat (tightness?), or actual hoarseness which would indicate damage. Number one, are you supporting your tone? Your breath support is critical and you need to make sure that you are breathing fully; expanding the ribs and belly; softening the belly but not 'pushing out' or having any tension in your belly, diaphragm or throat.
Two, if your throat is feeling tight and tired when you sing, your tongue may be the culprit! If you're not supporting, then your body compensates by tensing the base of the tongue in an effort to 'hold' the tone, which is really uncomfortable. This also causes the larynx to jam up, which again, causes a tight throat.
If your throat is tight and the larynx raised you're causing constriction which not only feels bad, but forces you to push the voice to get more sound out.
All in all, a cascade of events is set in motion that feed upon each other creating a pinched sound, excessive force on the vocal mechanism, mental distraction, a tight, tired throat, and ultimately can result in vocal nodules.
If you haven't already done so, go to my website and read 'A Singer's Story' and some of my philosophy on voice.
Do you have any questions about voice? Let me know!
Monday, February 01, 2010
Salt Lake City Music Workshops
Just scheduled two workshops in Salt Lake. 'How To Sell A Song!', Feb. 20th, and 'Conquer Stage Fear Forever!' March 6th. So many of my clients are paralyzed with what I call 'Singer's Anxiety Syndrome', so I want to help them feel comfortable on stage. It's time to get rid of that limitation!
Labels:
Classes,
Creativity,
Empowerment,
Music as medicine,
vocal health,
Voice health
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