Singing Can Improve Your Memory!

If you want to exercise your brain and improve your memory, try learning a new song!  Not only will you have to learn a new melody, but singing a lyric without looking at the words on paper will certainly help vitalize your memorization skills.

Memorizing is a brain exercise, so start singing if you want to keep your brain cells firing and active throughout your life!

Exercise Your Brain

My 'Featured Article' on musesmuse.com!

My article 'Why Songwriters Should Be Fearless Singers' is a 'Featured Article' this month on musesmuse.com - a great website resource for Songwriters.

 Part of your job as a speaker/singer is to know how to control the equipment you use onstage, and be able to articulate what you need from the sound person.

I've been on tour with big name acts (male and female) who could not (after long careers onstage!) tell the sound person what kind of reverb they'd like (long decay/big room etc.); what frequency panel they'd prefer for their vocal quality; or what they wanted to hear, or not hear in their monitors.  I usually had to play interference explaining to the sound booth easy directives like 'boost the mids, drop the highs' etc. just so that we could finish the sound check!

I once saw a concert with Petula Clark, who at that time had been a seasoned veteran for many years.  Her mic cord came unplugged, and SERIOUSLY, she looked around helplessly until a tech came and plugged it back in!  I was stunned at her lack of professionalism.  I can't believe that she wouldn't know how to plug the mic back in, and it really was too stupid to chalk up to being a Diva!

I think it goes for everyone to KNOW YOUR EQUIPMENT, and know how to talk to your crew on a technical level.  That's the best way to assure that you'll get the sound you want, and the respect and cooperation of those working being the stage to make you look and sound great!

What Is Your Song About?

When I'm working with students and they've just finished singing a song for the first time, the first question I ask is - 'what is this song about?'  Shockingly, most people say 'I don't know!'  How can you tell a story, when you don't know what the story is about?  Well, I guess you could, but if you don't have a clue about what story you're telling, don't expect your audience to care a bit about your song!

Singing is about communication, and in order to have your audience feel something you have to be feeling something yourself.  Otherwise, you're just spouting empty words and phrases with no emotion behind them.  You might as well be speaking a foreign language or gibberish!

Look at your lyrics.  Understand the point of view of the character who is singing through you.  Get to the subtext of the lyric….what emotion underlies the words you are singing?  Then, feel that emotion, don't just sing the words, feel the words.  Your audience will not only understand your story, but they will relate to the emotion contained in the lyrics that you are expertly delivering.

So before you even start singing a song, ask yourself 'what is this song about?', making sure that the lyric is appropriate for your age, as well as your life experience.  A ten year old girl shouldn't be singing a song about divorce or a lost love, but strangely I hear this with students all the time.  Pick a lyric that you can relate to emotionally, then let those emotions carry through the story of the song.  You will connect with your audience in a way that will make your performance emotionally supercharged and unbelievably memorable!

So, 'what is your song about?'

Let Emotion Help You Hit Your Notes

A really amazing thing happens when you lock into the emotion of your song and stop thinking about technique -- you can easily hit notes that might be a challenge for you.  Why does this happen?  First, because since singing is 90 percent mental, when you stop thinking about your problem notes, your emotion gives you the vocal power to hit those notes easily.

Second, when you're singing in the emotional moment, your fear disappears!  Fear keeps you from going fully for a note, and without total conviction and full support, your fear will keep you from your best performance.

 

So get into the emotion of your song, stop thinking, and let your voice fly free!

                                                              

Today I spoke at the Granite Young Parent's Graduation - a program supported by the Salt Lake Soroptimists.  So inspiring!  These are young women who are either pregnant or have a child and they graduated from High School today!  Good for them.  I spoke on 'Divas Decide!' - deciding on a goal, committing to it, and having the courage to see it through.  They earned their Diva Status!

Nothing in life is easy, and I am proud of these young women who had a lot of challenges, but still completed their high school education.  I wish them all the most success!

Don't Sing Like a Trumpet Player

I recently worked with a man who had played trumpet all his life.  He had bought my book From Shower To Stage….7 Easy Steps for Singing Like A Pro!, and when he got to the breathing section he hit a snag.

When you sing, you have to have a soft belly, and essentially breathe from the diaphragm, allowing the tummy to be relaxed.  He was so used to making his stomach tight, and pushing out the sound while playing trumpet, that it was a major adjustment for him to breathe with a soft belly.

If there's any tension in your body there will be tension in your throat.  In the Lawrence Vocal System you let all that tension go, relax the tummy, relax the jaw, relax the throat, and just allow your unimpeded voice to flow out.  It's that simple!

But most of my students have to do a lot of work on letting go of past conditioning, both mental and physical.  They have to learn that the way they used to sing no longer works, and they have to be open to adopting a new way of approaching their vocal production.  Their willingness to let those old habits go will speed their ability to sing easily without strain or stress.

So if you used to play trumpet and push your sound out with a lot of force; if you used to support your tone by pushing your stomach out; if you used to make your voice louder by putting more pressure on your throat; just know that those are old destructive habits that no longer serve you. Let go of the idea that you have to sing like a trumpet player. There is a better way!

Can You Say 'Ahhhhh?'

One of the secrets to great singing, which also happens to be one of my 7 Easy Steps for Singing Like A Pro!, is keeping an open throat while singing.  In order to get a rich, full sound, you want the soft palate raised while the back of the tongue stays relaxed and flat.  This gives maximum 'space' for your tone to exit the mouth without obstructions.  Many times when the throat is not fully open, you will get a sound that is pinched.  When the tongue is raised in the middle, your sound shoots right up the nose, giving you a very nasally sound.

So how do you develop an open throat?  Simple!  Start practicing a fake 'yawn,' feeling the throat open and widen as you do this.  When you've mastered the 'yawn,' then just adopt that same open feeling before and during your singing.  This will raise the soft palate, flatten the tongue and lower the larynx.

Remember when the doctor would look in your throat with the tongue depressor?  Same thing.  He was flattening your tongue as your 'ahhhhh' raised the soft palate!

So the next time you begin singing, think of how your throat feels when you say 'ahhhhh' and keep that open feeling as you sing.  A simple concept, but one that takes practice and awareness.

To sing well, just say 'ahhhhh'!

Press the Easy Button!

Technology is here to make our lives easier, right?  But if you're like me, you sometimes feel like anything new you try is not as 'easy' as it should be.

Today I'm bravely linking all my blogs and other social media musings together - at least that's the intention.  So essentially, this post is a test to see how well I've integrated Google+ with my Viva La Voice blog.

Last week I attended the Extreme Income Explosion Summit hosted by the Buzz Boosters and Michele Scism, and all the speakers had mastered this 'fluid integration system' that made their lives so much EASIER!

It's my turn now to press the 'Easy' button!  I will keep you posted as to my tech progress!

Singers & Speakers - Know Your Equipment!

 Part of your job as a speaker/singer is to know how to control the equipment you use onstage, and be able to articulate what you need from the sound person.

I've been on tour with big name acts (male and female) who could not (after long careers onstage!) tell the sound person what kind of reverb they'd like (long decay/big room etc.); what frequency panel they'd prefer for their vocal quality; or what they wanted to hear, or not hear in their monitors.  I usually had to play interference explaining to the sound booth easy directives like 'boost the mids, drop the highs' etc. just so that we could finish the sound check!

I once saw a concert with Petula Clark, who at that time had been a seasoned veteran for many years.  Her mic cord came unplugged, and SERIOUSLY, she looked around helplessly until a tech came and plugged it back in!  I was stunned at her lack of professionalism.  I can't believe that she wouldn't know how to plug the mic back in, and it really was too stupid to chalk up to being a Diva!

I think it goes for everyone to KNOW YOUR EQUIPMENT, and know how to talk to your crew on a technical level.  That's the best way to assure that you'll get the sound you want, and the respect and cooperation of those working being the stage to make you look and sound great!

Confident Speaking!

When I work with my clients, it's all about focus.  You come on stage with confidence; begin your program with confidence!  You are focused on your message, never on whether your AV equipment is going to operate correctly.  That is someone else's job - yours is to focus on the value you're giving your audience.  If there's a problem with the mic, your audience will let you know right away, and your AV person will fix it.  You then confidently start your program again, after, perhaps, testing the mic by speaking until the problem is fixed.  Unruffled, you launch into your program without putting any focus on the mic issue.